Seeing Sound – Creating Soundtracks for Video

I’ve been working on a project for the past year or so called Seeing Sound. I’ve been creating innovative soundscapes now for a long time.  My pieces are featured in sound art festivals, on the radio and various places on the internet.

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I’ve been thinking about all the film festivals out there.  I’ve watched the growth of Youtube. And I’ve been wondering how to get my productions into art galleries.  And I am always surprised when people say that they’re uncomfortable just listening to something for 5-10 minutes and having nothing to focus on visually. What I realized that I needed to do was work out a way to add images to my sound pieces.

The challenge is that I need to find images that support the sound I’ve created.  For me, the sound composition comes first.  It’s the opposite with a lot of video producers I know. They start with the picture and add the sound afterwards.  I also want a balance between the visuals and the sound so that no element dominates (oh alright .. I admit it. I want them to walk out saying “Wow. That sound was amazing.”)  I want them to like the images but I want them to love the sound story.

So my challenge is, how to create a visual element in a way that the pictures support the sound. The images can’t dominate, but they need to be striking, compelling and the kind that people remember.  And strong from a technical perspective.

Fortunately, I have an excellent video artist and photographer working with me.  Stefan Rose, I’m so glad you’re with me on this journey.  And thanks to the Ontario Arts Council  Media Arts Section for providing the funding for this project.

Here is the first of the three pieces I am working with — it’s called No Time for Silence, composed for CBC Radio in 2001. It’s about the contrast between the natural rhythms of life, and the forced un-natural rhythms we march to in so much of our daily life.

I’ve been recording conversations with Stefan and I about the process of marrying images with sound.  I’ll share those in upcoming weeks too, along with the two other pieces we’re working with.

Image: Barry Rueger. 2003.

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